Oversized box 1
Contains 78 Results:
"Only Everything I Own" by Patricia Smith, October 1, 2009
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Jet" by Tony Hoagland, October 1, 2009
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"The Invention of Air" by Steven Johnson, October 15, 2009
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"In Michael Robins's Class Minus One" by Bob Hicok, October 21, 2010
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Lesson" by Franz Wright, 2009
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Rana Fegrina" by Dylan Landis, 2009
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"He is only six and..." by Joe Wilkins, March 13, 2012
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
Untitled ["This is the only true religion"] by Anthony Swofford, April 18, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"(why your room has a door)" by Beth Bachmann, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"white hat" by sara arvio, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Heirloom" by Nikky Finney, October 19, 2012
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Half" by Lucy Corin, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"How I Got My Name" by Elana Bell, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Justin Torres" by Justin Torres, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Elegantly, in the Least Number of Steps" (Excerpt) by Monica McFawn, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Scarlatti Sonata Testament" by Pattiann Rogers, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Little Father" by Li-Young Lee, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Immigration and Naturalization Service Report #46" by Eduardo Corral, 2013
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"First Poem Since the World Changed" by Meg Kearney, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"En Route to Bangladesh, Another Crisis of Faith" by Tarfia Faizullah, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"En Route to Bangladesh, Another Crisis of Faith" by Tarfia Faizullah, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"En Route to Bangladesh, Another Crisis of Faith" by Tarfia Faizullah, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"There are Birds Here" by Jamaal May, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Amangansett Cherry" by Mark Doty, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Because B" by Nance Van Winckel, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"A Box for Yokozuna" by W. Todd Kaneko, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"A Home in the Country" by James Allen Hall, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
from "Bluets" by Maggie Nelson, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Why My Father Smells Like the Night" by Bruce Snider, 2014
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Glaciology" by Beth Peterson, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Suppose You Chopped Down a Mulberry Tree" by Aimee Nezhukumatathil, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Narrow Flame" by Linda Gregerson, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"My New SuperherO is: ___________" by Roy Kesey, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"The Impatient Mermaid" by Matthea Harvey, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Eggwhite" by Cyrus Highsmith, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"En Route to Bangladesh Another Crisis of Faith" by Tarfia Faizullah, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Warszawa" by Andrzej Sosnowski, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Outgoing" by Matt Rasmussen, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"To Katharine at Fourteen Months" by Joelle Biele, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"The Girl Who Builds Rockets From Bricks" by Jamaal May, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Bruised Totems" by Kwame Dawes, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Brad Pitt" by Aaron Smith, 2015
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"A Second Plate at Pearl's Place" by Tara Betts, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Track 4: Reflections" by Jericho Brown, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Split" by Cathy Linh Che, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
From "Bone" by Julie Marie Wade, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Beautiful City" by Glenn Shaheen, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Route 1 North, Woolwich Maine" by Tess Taylor, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Hamlet" by Joseph Harrison, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.
"Octopus Vulgaris" by Nicky Beer, 2016
This collection includes 77 broadsides of poetry and prose by various authors collected by UNCG professor and poet Emilia Phillips. Each broadside contains a poem or excerpt, the poet's name, and a colophon describing printing information. There are various printmaking processes used, including digital, letterpress, and relief printing. Papers used include both handmade and machine-made. The broadsides were collected between 2009 and 2020, though some are undated.