Cabinet 2
Contains 62 Results:
Sketches, Watercolor, 1955 and undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Pen and Ink, Marker, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Pastel, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Charcoal, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Pencil, Colored Pencil, 1967 and undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Mixed Media, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Printing Files, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Painted, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Digital, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Tile Prints, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Sketches, Other, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Professional Activities, Oversized, 1983, 1985, undated
The Sketches series consists of Maud Gatewood's loose leaf personal sketches and artwork. The series is grouped by size, medium, and predominance due to the significant lack of dates. As with Gatewood's Sketchbooks, this series also shows her experimentation with different styles and concepts and can reflect the initial flow of ideas that have led to her more popular and prominent works of art.
Posters, 1996 - 2012
Furness, John: lot of four costume designs for Airport, The Long Duel, and other films, 1960s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Garnett, Carl: two costume designs for The Critic; costume design for Basilio in The Barber of Seville
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Grafter: costume design for Widow Leather in Goody Two Shoes, 1908
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Hurry, Leslie: lot of 8 costume designs and lot of 27 scenic renderings for The Duchess of Malfi (Royal Shakespeare Company), 1960
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
University of North Carolina at Greensboro (UNCG) - Posters [Unprocessed]
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
Portraits
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
Chaney, Stewart: scenic design for Design for a Stained Glass Window (Broadway), 1950
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
A
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
B
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
C
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
D-E
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
F
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
Theatrical Designs
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
G
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
H
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
I-L
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
Sanders, Marthe: costume designs for a chorus girl as an ocean beach, and chorus girl as a household maid in red, white, and blue
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Sharaff, Irene: costume design for a stilt-walker in Flower Drum Song (Broadway), 1958
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Willoughby, Hugh: scenic design for a moonlit garden, 1920s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Wittop, Freddy: lot of five costume designs for the Paris music halls, 1930s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Aronson, Boris: costume design for Mourning Becomes Electra, Metropolitan Opera House, 1967
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Barnes, Will R.: costume design for chorus girl in skirt shaped like a samurai helmet, 1920s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
T
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
U-V
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
W-Y
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
M
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
Mielziner, Jo: costume design for Smithers in The Emperor Jones (Metropolitan Opera House, 1933); and scenic design for Key Largo (Broadway, 1939), 1933 - 1939
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Nomikos, Andreas: scenic design for Camino Real, UNCG, 1977
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Rogers, John B.: 23 renderings of backdrops and props, one maquette
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Rumselly, H. (attributed): lot of six costume designs, one chipped, early 1900s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Kamen, Gloria: drawing of two actors in The Rovers, Folger Theatre, DC
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Menefee, Pete: two costume designs for television, one for Art Carney, one for Michael Jackson
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Magniez, M: lot of four scenic designs for the film Guillemette Babin; and scenic design of a street barricade in an unidentified film, 1940s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
R
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
S
The Theatrical Designs subseries differs from the Original Costume and Scenery Design Series, above, in that these works are reproductions for display purposes.
Dmitriev (attributed): lot of 5 leaves of costume designs for a Russian production of Othello, each with multiple figures, circa 1940s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.
Du Bois, Raoul Pene: costume for "Harlem Boy" in a musical revue; and three small sketches, 1930s
Drawings and paintings, some fabric samples; items of various sizes, some items are framed.