Hermene Warlick Eichhorn Papers
Scope and Contents
The Hermene Warlick Eichhorn Papers date from 1920 to 1975 and include general correspondence regarding Eichhorn's musical interests and professional activities, including the Euterpe Club and her column "Music Notes." The correspondence is arranged alphabetically by correspondent.
There is also a great deal of correspondence regarding her individual compositions; this correspondence is arranged alphabetically by title of the piece, then chronologically within each file.
Carbon copies of Eichhorn's letters on extremely brittle paper were included with the collection, forming a complete set of correspondence; these letters were photocopied in order to better preserve the collection as a whole.
Also included in this collection is a folder of materials on Eichhorn's honor as Quota Club Woman of the Year, folders with royalty statements from her various publishers, and a notebook that dates from her years at Woman's College containing manuscript music in her hand. Two original manuscripts are also included with the collection.
- 1920 - 1975
- Eichhorn, Hermene Warlick (Person)
Conditions Governing Access
Collection is open for research.
Conditions Governing Use
Copyright is retained by the creators of items in these papers, or their descendants, as stipulated by United States copyright law.
Manuscript collections and archival records may contain materials with sensitive or confidential information. Please see our Sensitive Materials Statement.
Biographical or Historical Information
Musician and composer Hermene Warlick Eichhorn was born in Hickory, North Carolina on April 3, 1906, the daughter of Jesse W. and Ethel Herman Warlick, and an organist of the fourth generation. After eight years of piano and composition study in Hickory with Alla Pearl Little (one of the first composers to achieve recognition in the state), Eichhorn entered the Woman's College of the University of North Carolina (now UNCG), where she studied piano under Mary Lois Ferrell and Wade R. Brown, and harmony and composition under George M. Thompson and Henry H. Fuchs. Eichhorn graduated with a Bachelor of Science in Music with a specialization in piano in 1926, and in organ in 1927.
In 1926 Hermene married George C. Eichhorn and took a job as organist at Holy Trinity Church in Greensboro, North Carolina. In 1928 she began writing a weekly column called "Music Notes" in the Greensboro Daily News. She succeeded Wade R. Brown as Choir Director at Holy Trinity in 1937.
Eichhorn was active in musical work in the state, as an officer of the Euterpe Club of Greensboro and a member of the Executive Board of the North Carolina Federation of Music Clubs. She specialized in writing for women's voices and other choral ensembles, published works that received many performances, and won a number of awards for her compositions.
Eichhorn's works are characterized by original rhythms and harmonies, use of folk materials, and free use of early Church material. Among the most popular of her compositions were her cantatas:"Mary Magdalene," published in 1944, and "Son of the Highest," published in 1946, both of which were written in collaboration with poet Rose Myra Phillips, who supplied the lyrics for both works. Eichhorn also corresponded with poets James Stephens and Charles Hanson Towne, who supplied the lyrics for "The Daisies" and "While Mary Slept," respectively.
1.50 Linear Feet (1 box)
Language of Materials
Hermene Warlick Eichhorn was an alumna of Woman's College (now UNCG), a musician and award-winning composer, leader in the state's music community, and a music columnist for the Greensboro Daily News.
The Hermene Warlick Eichhorn Papers date from 1920 to 1975 and include correspondence regarding Eichhorn's musical interests, professional activities, and specific compositions; biographical information; royalty statements; and original manuscripts of music.
Method of Acquisition
Bulk of collection donated by Mary Walker of Holy Trinity Church in Greensboro, NC, September 1995; one folder of correspondence re: NC High School Music Contest, 1941-1942 probably a gift of Mrs. Eichhorn, date unknown, transferred from Miscellaneous Mss.
Offensive Language Statement
The UNC Greensboro University Libraries collects, preserves, and makes accessible unique and historical materials for learning and research. The nature of historical materials is such that some material may represent positions, norms, and values that are offensive and objectionable. These materials represent the opinions and actions of their creators. By providing access to these records in our reading room and through our digital collections, we recognize that archives and rare books can play a vital role in holding those creators accountable and in helping us learn from the past.
Our finding aids and other collection descriptions may occasionally re-use language provided by creators or former holders of the materials, but we strive to place outdated or offensive terminology in context. That said, we recognize that we may not always make the right decision and welcome feedback from all sources so we can learn and adjust our practices. Please contact us at firstname.lastname@example.org if you encounter problematic language in our finding aids or other collection description. We will review the language and, as appropriate, update it in a way that balances preservation of the original context with our ongoing commitment to describing materials with respectful and inclusive language.
Processed by Archives staff.
- Hermene Warlick Eichhorn Papers
- Archives staff
- Description rules
- Describing Archives: A Content Standard
- Language of description
- Script of description
- Language of description note